Tides, Excitement and Indiegogoooo

Well, as promised I have been working tirelessly on numerous projects. Let me update you swiftly...

I went back to Memphis to work with the magnificent, Ari Denison, once again. Brilliant.

I got a call a few months back from an old friend, Laurie Zabele Cawley, to see if I wanted to join her for a split bill show up in her neighborhood at Union College in Schenectady, NY. We'll be debuting a new work titled, 5+1, and restaging our duet, What Was, Never Existed. Amazing.

I'm dancing with not one, but THREE different incredible women in unrelated projects, and I'm so pumped I might drop some cheer-leading moves soon. Sorry, Mom.

I'm teaching at the Gina Gibney Studios - 280 Broadway - as a part of the Access8 program in November. Tuesdays and Thursdays, November 11-20 from 2-4pm for only $8 a class. Sweet.

And, I've been writing so much that I'm pretty sure I need to whip out the plans for a cabin in the middle of nowhere and begin building a place to sneak away for a week or so and write a book. Interesting.

Potentially, I will also be performing in the Never Before, Never Again Festival at the new Triskelion location in Greenpoint, NY with some other East Coast TRANSFormers, but I'll be sure to spread more about that when I hear back from the panel. Nice.

In the midst of all of this excitement and project building, I'm also launching an Indiegogo Fundraiser any day now! The funding is primarily for my dancers - they most certainly deserve more than the absurd amounts of candy I throw at them - and also for the travel upstate, rehearsal space, food, costumes, and other artist collaborations.

I have a stellar composer joining me on this project, Kyle Sorensen, and I'm totally jazzed about debuting a new work with his new score. Bonus - any donations made to the Indiegogo Fundraiser are tax-deductible. How? Because I'm sponsored by Fractured Atlas and they rock.

Stay tuned as I'll be shooting out an email soon with details about our fundraiser and upcoming concert at Union College. I'll also keep updating our Facebook and Twitter with pictures, videos and other shenanigans - because we rarely can keep from laughing for more than twenty minutes. 

Toodles, lovers. Dance on.

Radio Silence

Oh, dear. It's been quite some time since we've had an update for you all but here is a tiny one just so you know I'm still here and making the art happen.

Lately, with less than acceptable time to bust a groove in the studio, my favorite place to take class and rehearse shutting its doors and the undertaking of a second job, I've focused my energies on a few other creative tasks.

I've been writing ferociously. About anything. Everything. Life. Snow. Nail lacquer palettes. Made up fairytale love. Dark and twisted characters.

I think I may be on to something with it, so it's going to remain a constant. It's exciting and a damn good way to get all of this creative energy out that is bouncing around inside my skin.

Ari Denison

I also recently ventured south to see a wonderful artist friend of mine, Ari. The magic that spans the air when we head out to make whatever it is we're making is simply splendid. It's unmatched. And it fuels us to full power, ready to do it again and again. We're currently trying to nail down another adventure. It needs to happen. Like, yesterday.

Ari Denison

I will say, this downtime from the studio has not been lost on me. And my evening length plans have not changed. If anything, I've been able to cultivate a more clear idea of how I want to proceed. And I've gotten a little pep in my step in regards to the video portion which I'm hoping to begin filming on my next trip to see my photo-mastermind.

Ari Denison

Between the writing and photo making and planning of film elements, I'm also looking to start working on another piece for a show in late February at the beloved Cahill Theater in the Bronx. For now I'm creating a duet to get me started but I see this next piece having three people ultimately. More on that as the details unfold. 

Exciting stuff happening, folks. Dance on. Write on. Get your art on.

We snuck in at GAP's First Look

I wasn't quick enough to post an event share about our lucky twist of fate when we were asked to step in a perform at GAP's FIRST LOOK series this past Thursday, August 1st, but boy were we blown away at the incredible beauty and brilliance that graced the stage that night!

Curated by Sarah Brown, First Look that night was something I have rarely experienced in a mixed bill show. Every single piece was solid. Stunning. Intriguing. Satisfying. I was hungry for more.

I will post pictures as soon as I get them - but I will say that the Green Building is going to be on my radar for a few reasons, and those chandeliers are only one of them.

ATD in WIP at DNA

Yes, you got it. We're showing a work in process at Dance New Amsterdam's Work in Progress showing this Saturday at 2pm!!

I haven't quite finished my work on Up Here and will be performing a solo with prompts based on remembering those silly things we used to do as children - dances we made up, tongue twisters we used the chant, the fruit of our long summer days. 

The greatest part of WIP is the audience feedback session at the end. I'm so fresh in this new take on this work that I'd love to hear what you have to say. So, come on down to DNA, bring a few dollars to donate, and see some really amazing works from some really stunning artists. 

Can't wait to see you!

ATD: IN THE STUDIO - Up Here (Parts I, II)

One of my favorite parts of making work is taking the footage from rehearsal, picking out my most loved moments and spinning them together for a sneak peek into what we're working on in the studio.

Up Here (Parts I, II) is a piece very dear to my heart, as are each of the works are that belong to SPARC. Up Here is the "P" in SPARC. It's about remembering, searching, celebrating those moments you once shared. Finding yourself lost in your memories, basking in the light that once shined on your heart. Feeling that space that was filled as if it were never emptied. Sensing that presence and making a connection - no matter how brief or subtle. Enjoying what was, and moving forward forever changed.

I am eternally grateful for those who have shared their stories with me and have trusted my vision to express their tales.

Here is a short look into what Erin and I have been brewing.

Up Here (Parts I, II) will premiere March 15-16th, at the JSB TEK BOX as a part of TRANSForm Dance Collective's 3rd Annual Concert and Teaching series. An original score is being developed by Sam L. Richards (the track I layered in the video clip is not what we're using).

Check out more info about TRANSForm, our tax-deductible Indiegogo Campaign and where to buy tickets.

Moving with you is a gift.

On the Subject of Together

You've guessed it. (You were guessing, right?)

It's that time of year again when the good old girls and boy from Oregon, who've since spread out around the country, get together and put on one heck of a show with an accompanying teaching residency to boot! Don't know what I'm talking about? Go read about us here.

For the first time in our three years of concert producing and teaching, all 8 of the TRANSForm Dance Collective members will be taking over the Twin Cities and the James Sewell Ballet TEK BOX Theater at the Cowles Center. We'll have two nights in the theater with daytime classes from 10-4pm.

This year I'm bringing the latest addition to SPARC titled, Up Here (Parts I, II). It's a duet with the lovely Erin Cairns Cella and myself. Taking a different approach to our over arching subject of loss, in this piece we're remembering and even celebrating our loved ones through sensing, shadowing and somehow finding each other while in two different places. It's an interesting piece to perform, as I find myself really not "seeing" Erin in the space, but truly yearning for a memory we shared and trying to recreate it over and over again. How fitting with our TRANSForm concert title, On the Subject of Together.

Speaking of, I'm the ring leader of the fundraising efforts for this year's concert. Thanks to the exquisite members of the collective (and you for spreading the word ::wink:: ::shoulder nudge::), we've made this video for your viewing pleasure and if you feel moved, consider donating anything you are comfortable with. If that's not in the cards this time around, you can share our link via email, facebook, twitter or telling your friends when you are having brunch or late night drinks.

Alright kids, get your dance on. It's 10:39 on a Sunday. Over and out.

HIDDEN IN THIS PICTURE/ DANCE IN CAHILL 2

My friends, it's been a while but we've been busy, busy bees scheduling rehearsals and taking off on a blunder of choreographic inspiration and re-staging an old but beloved work of mine.

I'll be in the Bronx at the College of Mount Saint Vincent for Red Monkey Theater Group's second dance concert, HIDDEN IN THIS PICTURE/ DANCE IN CAHILL 2 on Saturday, March 9th at 8pm and Saturday, March 10th at 2pm.

Please come join us at the Cahill Theater to see Erin Cairns Cella, Sarah Lehman, and Joanna Nobbe dolled up in their corsets, winding up a storm from their chairs and they perform After Hours in the Parlour Room, with an original score by musical extraordinaire Sam L. Richards. Other performances by Danielle Aviezer, Jessica Burns and Dina-Verley Christophe. The night will start off with "Hidden in This Picture," a one-act comedy by Aaron Sorkin (A Few Good Men, West Wing, The Social Network, The Newsroom). Buy tickets here.

A special preview performance of "Hidden In This Picture" on Friday, March 8th at 8pm will benefit the College of Mount Saint Vincent's student theater club.

So, come check us out and see what's going on in our community of dance, theater and new friends.

And keep a close eye on us... we're going to Minneapolis next! More info in my next post.

Teaching at DNA - THIS WEEKEND!

We took a little break over the holidays but we're starting to get back into gear starting with teaching class this Saturday (1/12) at Dance New Amsterdam.

Join me from 12-1:30pm for Beginning Modern where we'll be working with timing, expansion, flow, riding waves, and feeling good while getting pretty sweaty.

And if that's not enough, take it a step further and come back at 4:30-6pm for Intermediate Modern. It's sure to be an excellent day of dancing and making our hearts feel whole.

I would love to see you - and bring a friend!

** Dance New Amsterdam is located in Manhattan at 53 Chambers between Broadway and Elk Street. **

Her Story - Duet Teaser

With the WAXworks showcase coming up in a couple weeks (Sunday, Dec. 16th, specifically), I have a short teaser to tame your curiosity short term, but make you even more hungry to see what else we're cookin' up in the studios. This is getting good, folks.

Here is Michelle and Celie in the duet section of Her Story.

Dance on, people. Dance on.

ATD is now sponsored by Fractured Atlas!

See that nifty new page link up there that reads, Support?

That, my friends, is the newest addition to this site and it excites me greatly, not only be able to collect donations in order to pay my supremely excellent dancers, genius composers Sam and David, and photographer, space rentals, costumes, travel and lodging, etc. but that it is now officially tax-deductible by the fullest extent of the law! How perfect!

As a recent addition to the Fractured Atlas Fiscally Sponsored Artist family, I now have the ability to apply for grants that are otherwise not available to me without a non-profit, or 501(c)3, status. With FA, I am now under their non-profit umbrella which opens me up to a multitude of opportunities, and the bonus for you is that it's tax deductible! The catch is that I must raise $1,000 before these grants are made available to me. Now, I can do a whole lot with $1,000 including pay my dancers for rehearsal and performances, pay for rehearsal space, pay my composers, Sam and David, who always make the most breath-taking compositions, pay a costume designer, and put any remainder into future performances - as I would really love to have this project produced in a theater and invite all of you!

With an upcoming performance at WAXworks this December 16th, we're really rolling with our latest evening length project, currently titled, SPARC. Her Story is shaping up quite well with a beautiful solo from Valerie Miller, a duet with Michelle Friend and Celie Erickson, and a corps of dancers including Alyssa Caliendo, Julie Goldberg, Rachel Slaughter and Julia Vickers. We also have another duet with myself and Erin Cairns Cella that was well received at THROW, a work in progress showing, last Tuesday where one viewer told me, "You have luscious moves!" And of course, the first installment, So we go there, where nothing is waiting, has since been performed in Charlotte, NC, Brooklyn and Long Island City, NY. We're three pieces deep into this evening length performance and have at least two more to go, as well as a film installation to make!

Being a working woman, I've worked hard in all of my jobs whether they be a dance-oriented position, retail, or health services, just so I could keep doing the job I truly love - dance. All of my dancers are also working women, striving to break the mold and earn a living doing what is an essential piece of our culture and history - dance. This is why it is so important for me to try my hardest and pay them for their time, their dedication to our craft, and for being stuck in a stinky, sweaty studio with me for several hours on end without fail. Did you know that most dancers have to work 3-5 jobs just so they can afford the time and space to dance? Crains New York published this article in February.

If you would like to donate, you can follow this link, or contact me directly at AlexandraTaylorDance@gmail.com. If you would prefer to donate to something specific (rehearsal space, pay for dancer's time, etc.), I'm also more than happy to talk with you about that - just shoot me an email and we'll chat. Another bonus - there is no deadline. You can donate as often and whenever you'd like.

Lastly, don't forget to join our mailing list to get updates about performances, classes, and other exciting news.

Thanks for reading. Now, dance on, people!

THROW on some inspiration and intrigue... Feedback is a choreographic tool.

Last night was excellent. I am quite smitten with the other artists that performed and showed work. Quite smitten.

But first, a very big thank you to the massive audience that attended Sarah Maxfield's THROW (curated by Lindsey Dietz Marchant '12-'13) last night at The Chocolate Factory Theater. Not a single seat was empty! I can't stress how important it is to have an actual feedback session for works in progress. Coming from the college and grad school realm, I was able to make works in confidence due to the continuous feedback and ability to really invest in my craft. You get an opportunity to touch base with outside eyes and minds that can offer such fruitful information about what you are showing your audience.

Erin and I haven't been working long on this piece but we have very clear directives that have led our rehearsals through improv and phrase development. Knowing that Erin and I move in very different ways, I am comforted by our ability to connect emotionally, mentally, and still physically. Working with someone so intelligent and open-minded makes a world of difference and keeps the process not only interesting, but fulfilling. No wonder she is in such high demand!

My goal for last night was to evoke memories of those who we were once very close but not necessarily here with us any longer - whether that be because they've passed, moved away, or what ever the case.

Luckily, my goal was met as I asked three questions to the audience which were:

• If you were to cast this piece with two people from your life, who would they be and why?
  
• What space/time/world/realm do each of those characters exist? Is it the same, are they different, what does it look like?
  
• What memories, thoughts or images did the work bring to mind while watching?

The responses were varied from person to person with their own interpretation of the question asked. Most frequently I received comments that the two characters were experiencing the same thing but in two different worlds or space. Unable to see each other, their interactions ranged from sensing one another's presence, being startled by the other's touch and moving through space together but in different worlds or time. There was a sense of mother and child, teacher and student, (seahorse) sisters [my favorite] and protection and unadulterated freedom with childlike curiosity. 

As I move forward with this process and the others I'm knee deep in, I'll see if I can't come up with an open rehearsal for the purposes of exposing the works in this project to different audiences and receive feedback for their further development. If you are an artist and ever want an extra eye or voice for feedback, please feel free to connect with me. I truly believe it's an incredibly helpful tool that can confirm your intent or take you on a new journey with your work. 

Lastly, I just can't thank Sarah Maxfield and Lindsey Dietz Marchant enough for the opportunity to show my work last night. The structure of the showing is very clean and always attracts the most amazing crowd of dance lovers that do anything but sit and dead stare while you await answers to your questions. This carefully crafted event is a must-go for anyone wanting to see what's going on with various artists, it's easy on the wallet (FREE with drinks for purchase), and it's an excellent opportunity for other artists to take another look at their current or past projects whether you're showing or just observing. It's killer.

That's all for now but as always people, dance on. 

Ps. Catherine Galasso and Barbie Diewald were stunning. You should seriously check them out. 

THROW on some fresh dance moves, please.

This Tuesday, November 13th at 7pm ATD will be showing a fresh, in-progress version of a new untitled duet with Erin Cairns Cella and yours truly as a part of The Chocolate Factory Theater presents Sarah Maxfield's THROW, curated in 2012-2013 by Lindsey Dietz Marchant.

What's that you ask? How much? Oh, it's free. Nice.

I have to say, having only attended one of this events before, it was life changing. I thoroughly enjoyed sitting in as an audience member and watching works in progress - raw, fresh material, in it's infancy, being molded and considered by these stunning and clever dance artists. Not only did I get a first look at these works, but I was able to talk about it with them with the other audience members. They ask you these intriguing and thought provoking questions that spark your mind with a buffet of ideas and responses that not only make you feel smart but immensely help the artists while their in the midst of their process.

Bonus - you leave feeling like a million bucks. You just helped an artist with their process. Not to mention feeling inspired to attend more dance events and racing to get into the studio ASAP.

Now it's my turn. I'm showing a work that, too, is in it's infancy. We've had several rehearsals and have a clear prompt, and I'm working with a killer mover and thinker. The structure is in progress and frankly, it's more about our relationship than the movement. The movement will take shape as we go and will emit the environment we're aiming to expose. So, why not come on down and share your thoughts with me? I promise you'll enjoy yourself. Bring a friend. Bring a neighbor. Go out for a drink at one of the many cute spot around. Can't wait to see you.

And if my dance stylings aren't enough to lure you in, you should check out Catherine Galasso and Barbie Diewald. They'll be there, too. 

The Chocolate Factory is located right off the 7 train (Vernon/Jackson) at 5-49 49th Ave Long Island City, NY

Remember, it's FREE!

It's okay to talk about it.

As I continue working on the various pieces of my latest project, I often feel like to can't talk about the more serious details with friends other than those directly involved in the project. Even after I've performed my solo several times and have shown in-progress versions of the other pieces within the project, I still feel bad for making anyone think about darkness in the form of losing a loved one.

Why? Why do I feel bad for that? Why do I apologize for bringing up something that we all have dealt with in one way or another?

I shouldn't, is the answer for now. Something I have to constantly remind myself.

After performing my solo, I have encountered those who wish to tell me their story. They want to tell me about their beloved Grandmother, or Aunt that recently passed away. Or how something they saw or heard reminded them of the eerie feelings and sensations they experienced when they were dealing with these situations. When discussing the project as a whole, I've been told stories of loss by people I barely know.

I'm not only receiving moving yet tragic stories, but support to continue where I'm going with this project.

My hope in the journey is to tell your stories and allow that to be something all of us can relate to. I feel empowered and incredibly overwhelmed by this task, hoping that I can reach out and touch those who've experienced such sadness and let them know, we're all here. We love you, we support you, and you're not alone - all while being sensitive to the real-life stories I'm exposing.

With all of this in mind, I'm embarking on yet another piece that instead of telling our stories, celebrates those who are looking down on us and still help us through each and every moment. We're beginning every improvisation with this prompt:

You keep an eye from up there, and I'll keep watch from down here. 

Working on this piece emits a sense of love and support in the room that feels safe and warm. While we're reminded that the other person is no longer right there in our reality, we're aware of what was and how that once felt. We're also consoled by the image that those lost are never truly gone.

As I continue to work through the various processes I'm using for each of these works, I'm attempting to delicately explore the ways in which I can reach out and express the sadness and uncertainty of loss. I invite your feedback whether far away through video or near enough to come see a rehearsal. 

For now, I'll leave you with the working title for the entirety of this project:

SPARCS

Using the names of those who've submitted stories or pieces that are inspired by someone, I moved the letters around to spell out a (mis-spelled) word that could express that life that was once here with us. I've heard people described as a force to be reckoned with, a spark of life, an energy that was vibrant and brilliant in it's time. With this I found this definition lurking in the 5th line of the explanation of the word, spark:

Spark (noun): a trace of life or vitality.

Until next time, my loves.

Dance for DNA + Women in Motion this Saturday!

In case you haven't caught my persistant Facebook postings, ATD is performing a work-in-progress version of the solo (with Valerie Miller) and duet (Sarah Lehman and myself) from "Her Story" this weekend in two locations!

Dance New Amsterdam, my first and only dance home in NYC is having an event to aid in supporting the non-profit and to help keep the doors open. Dance for DNA will showcase pop-up performances all day long by a number of artists that I am personally inspired by including: Alexandra Beller/Dances, Ori Flomin, and Christopher Williams. I had to double check that I read the confirmation correctly when I realized so many amazing and stunning people would be performing in the same event I am... how totally cool.

So, join us at 12:15pm in the upstairs gallery at DNA for a sneak peek of our work, but come and stay ALL DAY for performances in the two galleries, including classes to take all day long. Top off your night by joining in the silent auction, and seeing two performances in the theater of Sunhwa Chung/Ko-Ryo Dance Theater and LateNite followed by a Dance Party complete with a DJ.

What? All of that is going on all on Saturday? Yes!

But I'm not done. If you can pull yourself away from DNA for a few hours, come check out Park Slope at 121 Sterling Place, #2B, Brooklyn NY for the Women in Motion Salon featuring three artsists, including myself. There will be drinks, friends, new friends, and dance. Talk about a good time! Doors open at 4pm, dances start at 4:30pm, conversations, drinks, and fun continue until the wee hours.

Bring a friend, or two, or ten, to both of these events. It's a great chance to have fun, mingle, meet new people, network, smile, drink, dance, and be merry. Who doesn't need more of that in their life? You don't need to be a dancer to enjoy these events and we want YOU there!

So, we'll see you there, yes?

Performance Updates and Upcoming Events

Photo: Eric Bandiero

Hello you dance enthusiasts,

ATD had their NYC/Brooklyn debut of "So we go there, where nothing is waiting," on Sunday, September 23rd at Triskelion Arts, where I was accompanied by five other dancers and a nasty cold. Somehow, we surged forward but I've been in bed ever since. Now, feeling both ancy and exhausted, I'm happy to share with you our next few shows and other news.

On Saturday, October 20th, ATD will be performing at EstroGenius' Women In Motion Salon in Park Slope.
We're also hoping to present at Dance New Amsterdam, earlier that day for Dance for DNA.

On Sunday, December 16th, we'll be back at Triskelion Arts for another round of WAXworks where we will show, "Her Story." This is one of the few pieces that I'm putting together for the evening length work I've been going on and on about, tentatively titled, "SCRAP."

ATD will also be performing in THROW at the Chocolate Factory in LIC, but I'm still waiting to see which date - either October 30th or November 13th. I'll update with that info as soon as I have it.

In education news, I'll be teaching at DNA on Friday, October 26th from 3-4:30 for Free Class Friday. Free for members and $17.50 for non-members.

Lots of fun things going on!

For now here is an in-progress look at "Her Story."

Our stories are all too real.

A few months back I asked you in the cyber world to send me your stories about loss. I was able to take my time, read each story over and over, and begin to detach myself from the tragedy that is a real life situation that someone close to me has been dealing with.

Now, after the startling news of a small child, born to a dear friend of mine, who was lost to an accident, I find myself unwilling to approach this subject of loss with such a distant touch. My own grieving, leaving me unable to communicate or think clearly.

This, paired with running my latest work ("So we go there, where nothing is waiting.") and my work-in-progress ("Her Story") in back to back rehearsals has left me with a heavy, unnerving feeling.

I've decided I need to break up these stories of loss with something else. I'm working on a new duet with fellow artist, Erin Cairns Cella, for this same project and am attempting not only to find a way to keep the mood from dropping us all into a saddened state, but to possibly celebrate the lives of those lost in our stories. I'm trying to think of how I could possibly send a message to the family that recently lost their youngest child and tell them we love them, and that he is safe now. Protected from pain. I also want to be as respectful as possible, as I attempt with all of the stories and authors. It will be a journey, for sure. Without taking us all on an erratic roller coaster ride with each work, I'll attempt to be subtle, yet thoughtful with my execution.

I'll update again once I've made some headway. Heck, I might even have a video to share.

Until next time, take care of yourself, love on others, and breathe.

ATD is going to...

Brooklyn and Minneapolis!!

On Sunday, September 23rd and Sunday, December 16th ATD will be performing at Triskelion in Williamsburg for WAXWorks!

On Friday-Saturday, March 15-16th, we'll be at the Tek Box Theater in downtown Minneapolis, MN with the co-founded group, TRANSForm Dance Collective!

There are many exciting things happening in the studios including working with a few old friends from the Oregon Dance Department, and working with the text collected from our call for submissions of your story about loss. More on this soon...

Elsewhere in the studio, I'm also subbing classes at Dance New Amsterdam, as well as teaching for Free Class Friday again on October 26th from 3-4:30pm.

Be sure to check the schedule at dnadance.org for updates - I also post on my Facebook page anytime a last minute opportunity comes up.

That's all for now. I'll follow up soon with a video clip from rehearsals!

(Alex)andra Taylor Dance at DNA this week!

I'm happy to share the news that I will be subbing two classes this week at Dance New Amsterdam!

Come join me in TriBeCa for a slow intermediate class on Tuesday, August 7th (tomorrow) from 12-2pm and on Friday, August 10th from 6:30-8:30.

We'll be doing a jazzy modern combo since I've been having a bit of withdrawal from my jazzy days. Bring your friends and let's get down with our awesome selves!!

Hope to see you there - spread the word!!

*DNA is located at 53 Chambers St. next to Modell's. Check out dnadance.org for more classes and information.

Stories, by you. A call for submissions.

I'm thinking about my first rehearsal tomorrow and how I am going to have the dancer tell a story. I have a chunk of text, but I'll need more to complete the whole project. This is where you come in.

If you could tell your story of loss or grief, what would it be? How would you tell it?

In talking to an old friend who has offered to share his story with me for the use of the project, we've been trying to figure out how best to write it all down. Is it chronological? Is it highly detailed with emotional backstory? Is there imagery?

What's your story?

I'm looking for stories from you about loss. This could mean a lot of things, including losing someone close to you, you dealing with something currently happening to you, or simply something that occurred and makes you sad. Not all stories are highly dramatic, and some are so out of this world, it's nearly unbelievable.

Whatever the tale - I'm asking you to share it with me. So, what do you say?

For the sake of some privacy, please send your stories to alexandrataylordance@gmail.com.

ATD at the GRC Dance Lab next Friday!

Greetings dance lovers!

If you would, please join me and other dance goers at the Secret Theater next Friday, July 27th at 8pm for the GRC DANCE LAB, a spectacular showing of 10 works, including an excerpt of my solo, So we go there, where nothing is waiting.


Check out the flyer below - truly hope to see you there!